Patron Of The Arts Renaissance

Overview

Information technology has long been a thing of argue why the Renaissance began in Florence, and not elsewhere in Italy. Scholars have noted several features unique to Florentine cultural life that may take acquired such a cultural movement. Many have emphasized the function played by the Medici, a cyberbanking family and afterwards ducal ruling business firm, in patronizing and stimulating the arts. Lorenzo de' Medici (1449–1492) was the catalyst for an enormous amount of arts patronage, encouraging his countrymen to commission works from the leading artists of Florence, including Leonardo da Vinci, Sandro Botticelli, and Michelangelo Buonarroti. Works past Neri di Bicci, Botticelli, da Vinci, and Filippino Lippi had been deputed additionally by the convent di San Donato agli Scopeti of the Augustinians club in Florence.

The Medici Firm Patronage

The House of Medici was an Italian cyberbanking family unit, political dynasty, and subsequently regal firm that commencement began to gather prominence under Cosimo de' Medici in the Republic of Florence during the start one-half of the 15th century. Their wealth and influence initially derived from the textile trade guided past the guild of the Arte della Lana. Like other signore families, they dominated their city'southward government, they were able to bring Florence under their family unit's power, and they created an environment where art and Humanism could flourish. They, along with other families of Italy, such every bit the Visconti and Sforza of Milan, the Este of Ferrara, and the Gonzaga of Mantua, fostered and inspired the nativity of the Italian Renaissance.

The biggest accomplishments of the Medici were in the sponsorship of fine art and architecture, mainly early and High Renaissance fine art and architecture. The Medici were responsible for the majority of Florentine art during their reign. Their coin was significant because during this period, artists generally only made their works when they received commissions in advance. Giovanni di Bicci de' Medici, the first patron of the arts in the family, aided Masaccio and commissioned Brunelleschi for the reconstruction of the Basilica of San Lorenzo, Florence, in 1419. Cosimo the Elderberry's notable artistic associates were Donatello and Fra Angelico. The most significant addition to the list over the years was Michelangelo Buonarroti (1475–1564), who produced work for a number of Medici, beginning with Lorenzo the Magnificent, who was said to be extremely fond of the immature Michelangelo, inviting him to study the family drove of antique sculpture. Lorenzo too served every bit patron of Leonardo da Vinci (1452–1519) for seven years. Indeed, Lorenzo was an artist in his ain right, and an author of poesy and song; his support of the arts and letters is seen every bit a high point in Medici patronage.

**The Medici House**Medici family members placed allegorically in the entourage of a male monarch from the Iii Wise Men in the Tuscan countryside in a Benozzo Gozzoli fresco, c. 1459.

In architecture, the Medici are responsible for some notable features of Florence, including the Uffizi Gallery, the Boboli Gardens, the Belvedere, the Medici Chapel, and the Palazzo Medici. Later, in Rome, the Medici Popes connected in the family tradition by patronizing artists in Rome. Pope Leo X would chiefly committee works from Raphael. Pope Clement Vii commissioned Michelangelo to paint the altar wall of the Sistine Chapel merely earlier the pontiff'southward decease in 1534. Eleanor of Toledo, princess of Spain and wife of Cosimo I the Neat, purchased the Pitti Palace from Buonaccorso Pitti in 1550. Cosimo in turn patronized Vasari, who erected the Uffizi Gallery in 1560 and founded the Accademia delle Arti del Disegno ("University of the Arts of Drawing") in 1563. Marie de' Medici, widow of Henry IV of France and mother of Louis XIII, is the subject of a deputed cycle of paintings known equally the Marie de' Medici cycle, painted for the Luxembourg Palace by courtroom painter Peter Paul Rubens in 1622–1623.

Although none of the Medici themselves were scientists, the family unit is well known to take been the patrons of the famous Galileo Galilei, who tutored multiple generations of Medici children and was an of import figurehead for his patron's quest for power. Galileo's patronage was eventually abandoned past Ferdinando Ii when the Inquisition accused Galileo of heresy. Nevertheless, the Medici family did beget the scientist a safe oasis for many years. Galileo named the four largest moons of Jupiter after 4 Medici children he tutored, although the names Galileo used are not the names currently used.